Yuval Avital

Silent Night
2018
tecnica mista su carta / mixed media on paper

42 x 59,4 cm

Yuval Avital

Untitled
2020
china su carta / India ink on paper

41,6 x 29 cm

Yuval Avital

Singing Mask n.32 / Leviathan I
2019
marmo, ferro, altoparlanti in alluminio, sistema di ampli cazione / marble, iron, aluminium loudspeakers,ampli cation system
75 x 40 cm

Yuval Avital. E T E R E

08.04.2021 – 26.06.2021

VIRTUAL 3D TOUR

 

BUILDING presents E T E R E, a solo show by artist and composer Yuval Avital, curated by Annette Hofmann. E T E R E is an exhibition project specifically designed for the four floors of BUILDING that gathers more than a hundred works, many of them presented for the first time. It is a dream-like narrative divided into four sections, in which each space becomes a microcosm that encloses and reflects a defined environment, connected to the others by an upward path.

As curator Annette Hofmann says: “Yuval Avital’s first solo exhibition in BUILDING invites the visitor on a journey through the artist’s multidisciplinary narrative. At the heart of Yuval Avital’s practice lies the present moment, in the absolute sense, centred on an exploration of the concepts of identity/subconscious, darkness/light and love/desire. Each work reflects the formal and material qualities of a common consciousness and experience, which give rise to a magic circle not only within the unique architecture of BUILDING, but also within its own narrative. All of the works describe an urgent search for truth that leads the visitor to confront his/her own present moment”.

Yuval Avital is known for his large installations, and for creating complex multimedia works that challenge the traditional categories that separate the arts. Also adopting practices of participatory art, his modus operandi spans painting, sculpture, performance, video and photography, often in a dialogue and blend with sound.

E T E R E, like all of Avital’s large-scale works, forms an immersive, all-encompassing environment in which different expressive languages and tools converge, ranging from the most traditional techniques to the most innovative and interdisciplinary ones, such as the works the artist calls “icon-sonic”, which have been part of his production since the very beginning.

Avital’s show opens with the story The Heart and the Spring from The Seven Beggars by Rabbi Nachman of Breslav [1] of which E T E R E is a metaphorical, dynamic, sensorial transposition, unfolding through the exhibition. In Rabbi Nachman’s story, the world has a Heart that burns with desire for the Spring of water that lies at the other end of creation. The Spring also longs for the Heart, but they are far apart in time and space, with no hope of reaching one another or ceasing to yearn for one another. But before the day ends and the spring dries up and, consequently, the Heart dies of its pain, bringing the world to an end too, the Just Man gives the Heart a new day, and the Heart gives the day to the Spring, meaning they can be reborn together.

Like the Heart of the World in the fable, in the artist’s vision Man is by nature an incomplete being, constantly accompanied by a feeling of lack which drives him to seek his missing parts in the physical, psychic and metaphysical spheres. Along his path, he encounters Angels and Demons, and experiences Love, Grief and Nostalgia, aspiring to the Transcendental and the Utopian Plane. The unbridgeable void between Man and Things is the vector of this journey, and the essence of E T E R E.

For me, experiencing the Ether means trying to be completely inside Things” –  explains Yuval Avital –  “not observing them from the outside or conceptualizing them, but being immersed in them. This modus operandi reflects my ideas of the totality of art (also in the Wagnerian sense) as an inclusive rite, but above all relates to what I try to do in my work, namely to reveal at least in part the truths hidden in Things. This idea is perhaps the main theme of my entire oeuvre in all its manifestations. It calls for me to listen deeply, and enter into a state of absolute openness and vulnerability: the artistic medium is not only a medium but also a sensor, a membrane, a lure. The exhibition E T E R E, which brings together many years of this work, features many pieces being exhibited for the first time, and some created specifically for the occasion, thus offering the visitor not only an aesthetic overview but above all an experiential journey“.

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